Let my friend cut the volume. Analysis of Bryusov’s poem “Sonnet to Form”

Valery Bryusov is one of the founders of Russian symbolism - a movement that elevates the form of any literary work to the absolute. Therefore, it is not surprising that in his early poems this poet preaches the ideas of his chosen literary direction, trying to convey to readers the idea that even a modest quatrain should be completely in its beauty.

However, a fascination with form was characteristic of many Russian poets who adhered to symbolist views. And this became a great incentive for development

A poetic language that has become more refined, laconic and elegant.

In 1895, declaring his symbolist views, Valery Bryusov published the poem “Sonnet to Form,” in which he tried to convey to readers that the connection between the meaning of any work and how this meaning is expressed affects its perception. This connection is subtle, and to make it more visible, any author has to make a lot of effort. “So a diamond is invisible to us until it comes to life in a diamond under its facets,” the poet notes. According to Bryusov, the basis of any work is fantasy, which

Airy and changeable, like “clouds in the sky.” However, some still manage to capture them in such a way that readers can catch their every curve and changing contour. They are “petrified, then live for centuries in a honed and completed phrase.”

The desire for eternity in his works is characteristic of almost every poet. However, Bryusov treated this issue with particular trepidation. The author was convinced that hundreds of poems could be written, and not one of them would become an object of imitation and admiration just because readers would never be able to understand what exactly the poet wanted to tell them. On the other hand, works that are too simple and accessible in their understanding do not cause due admiration, since almost every person has the gift of versification. As a result, the ideal version of the work, according to Bryusov, should contain an original thought, which is presented in a very refined and impeccable in its perfection form. Only in this way are real poems born, which become the property of world literature and the next step in its development. And the names of their creators are written in golden letters into history, even if the author owns only one quatrain, ideal in all respects. Only a few can create such works, and inspiration in this regard plays a secondary role. The poet is convinced that versification is hard mental work, coupled with an impeccable sense of harmony.

It is precisely this pinnacle of mastery that Bryusov himself strives for, who dreams that his poems will not only be beautiful in content, but also have an impeccable form. He dreams that any reader will be able to enjoy these two important components of poetry, so closely interconnected and allowing them to create a single picture of the universe, imaginative, exciting and delightful in its beauty. Bryusov wants every reader, upon opening a collection of his poems, to “revel in it both the harmony of the sonnet and the letters of calm beauty.” However, it is worth noting that over the years the poet has somewhat changed his views, becoming convinced that the power of a word does not always depend on the form in which it is presented. Nevertheless, until the end of his days, Bryusov strove to find harmony between form and content, choosing words for each of his poems with special care and trying to turn it into a small poetic masterpiece, shining like a diamond in the sunlight.

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The work belongs to the genre of philosophical lyricism and was created by the poet at the age of twenty, having as the main poetic idea the disclosure of the ideas of a literary movement in the form of symbolism, the founder of which is the author of the poem.

The poem is a canonical version of a sonnet, expressed in two quatrains with the inclusion of a sweeping rhyme and two tercets. Moreover, the work, consisting of fourteen lines, is distinguished by a strict rhyme system.

Numerous epithets are used as the main means of artistic expression in the poem, allowing the poet to demonstrate the harmony of the thought process, more clearly revealing the images and detailing the essence of the work. In addition, to give the poems a sonnet-like lightness, the author uses a variety of lexical means in the form of metaphors, personifications, and parallelism.

The compositional structure of the poem builds a relationship between the semantic load of creative works and the meaning of expression and influence of poetic thought. The poet depicts fantasy as the basis of poetry, described as airy and changeable heavenly clouds, which can be seen by catching their contour bends.

The narrative in the poem appears to reveal the author’s ideological plan, which consists in the need to give original thoughts refined and impeccable perfect forms. Only in this way is it possible to create real masterpieces of poetic literature. The author's idea is expressed by the poet in the form of a comparison with a flower, in which its external contour appearance is correlated with its content in the form of smell.

The content of the work reveals the poet’s position on the difficult mental work of a writer, coupled with an incredible sense of harmony, which is subject to only a few representatives of humanity, while the author assigns inspiration the role of a secondary entity. That is why the author feels the desire to achieve this pinnacle of mastery, dreaming of composing poems that are beautiful not only in terms of their content, but also have impeccable forms.

Thus, the poem is an attempt to search for poetic harmony in the relationship between form and content, to which the poet’s sublime thought strives, dreaming of creating a diamond in the form of a literary masterpiece.

Analysis 2

The work “Sonnet to Form” is an excellent example of the creation of the Symbolists. Although Valery Bryusov was very young at the time of creation, his enormous talent can be seen in the poem. The poem aims to reveal the essence, the idea of ​​symbolism. It can be classified as philosophical poetry.

Epithets are regular guests in Bryusov’s poems; the poet needs them because they play a big role in works of a symbolic direction. The epithet in works contributes to a more vivid disclosure of the image; it details the essence in order to achieve harmony in the thoughts that appear in a person’s head.

Every poet, without exception, strives for eternity with his works. Bryusov paid great attention to this issue. There was no doubt in him that hundreds of poems could be created, and all of them could be written in vain, they would not become an object of admiration, no one would strive to imitate the poems. And this happens due to the fact that the reader did not understand what thoughts the poet put into his creation. From another point of view, even if poems are simple and understandable to a wide circle, they still do not evoke the necessary admiration, because absolutely any person has the gift of versification.

Valery Bryusov believes that a work should have some extraordinary idea, presented in an extremely subtle form that is impeccable in its grandeur. Only if these conditions are met, the best poems are born, which subsequently become the property of world literature, a new stage in its development.

Until the end of his life, the poet Bryusov sought to reunite form with content in his works. He carefully chose the words for any of his creations and strove to turn it into a masterpiece.

Valery Bryusov is a talented poet who gave Russia the latest movement in literature, such as symbolism. Basically, the poet concentrated his attention on various current, human-related problems: from simple personal experiences of a person - the themes of falling in love, love of the Motherland, loneliness, to more important topics such as power, culture, art, war and other upheavals. Valery Bryusov developed and improved the cultural life of Russia. Thanks to the poet, the latest works of symbolist writers were published.

Analysis of the poem Sonnet to form according to plan

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In the works of Valery Bryusov you can find many works that are written in the style of Russian symbolism. The poet was sure that literary poems should be perfect, therefore, he filled even small quatrains with thorough beauty. And many Russian poets adhered to this principle of writing poems. It was symbolism that gave impetus to the development of a laconic and refined poetic language.

In the poetic work “Sonnet to Form” Bryusov expresses his symbolist views. The poet says that it is extremely important to establish a connection between the main idea of ​​the poem, as well as the form through which this idea will be expressed.

The basis of any poetic work is the author’s imagination. She is changeable, flexible, airy. However, despite this, some gifted poets still manage to create such poetic works that will be imprinted in the memory of many readers for centuries.

With special care and sincerity, Bryusov creates poems dedicated to eternity. In his opinion, one can write dozens and hundreds of rhyming works, however, never translate the idea of ​​eternity into their meaning. Such works should be complex and piercing, their text should touch the soul of every reader.

The result of such conclusions is a simple truth - poetic works must have originality, a main idea that is subtly woven into the lines of the verse. Their form must be perfect. Only in this case can such literary works earn worldwide fame and popularity.

Valery Bryusov strived for such perfection. He tried his best to ensure that his poems had that same elegant and airy form. Until the end of his literary career, the poet tried to find harmony, a golden mean between the concepts of form and content in poems. Every word in his rhyming lines was chosen with special attention. Thanks to such diligence and talent, each work of Valery Bryusov turned into a real literary masterpiece.

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